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One of the most prominent representatives of the latter is Peter Schiff, a businessman who openly criticises Bitcoin (BTC) and denounces its lack of any real value whatsoever.Īll trading, both in cryptocurrency and traditional markets, is always a speculation. It’s also noteworthy that the real value of digital assets is a topic that both proponents and sceptics of cryptocurrencies have been tirelessly arguing about for years. He is convinced that the sole purpose of such “shit coins” is to separate people from their money. The former trader says he is a fan of blockchain technology, but also claims that “there’s a lot of nonsense” in this market.Īccording to Gadgets360, the real Wolf of Wall Street believes Dogecoin and Shiba Inu have no real value. Now that the genius filmmaker is 71 years old, the truth is that there likely won’t be many more of his movies coming in the future, but if he can continue producing films on the level of The Wolf of Wall Street it will be impossible to let him go.He went on to claim that meme coin developers, such as MILF Coin (MILF), are “unscrupulous people” who “start the coins and get into a chat room and saying stuff that’s blatantly illegal”īelford considers himself a crypto enthusiast but is opposed to tokens with systems that lose money. Both titles tell epic stories of an individual's quest for that great mythological American Dream and how quickly and thoroughly that path can be corrupted and both are uniquely spellbinding and brilliant. Watching The Wolf of Wall Street, it’s incredibly hard not to be reminded of Scorsese’s brilliant 90s gangster film Goodfellas. It’s quite remarkable to watch a 179 minute film and then feel the immediate need to watch it all again while the end credits roll. There is the occasional lull, as the high energy level has to take a break, but it never takes long for the movie to get back on track and enthralling. The movie opens with a montage of scenes featuring in-office dwarf throwing, cocaine consumption, sex and even a helicopter crash, and yet somehow the story increases the madness with nearly every scene, and keeps the audience engaged in the story. This all becomes threatened when the federal government begins to snoop around and tug at the base of the house of cards, but of course, Jordan doesn’t let his dream die without a fight.ĭaunting as the film’s nearly three-hour runtime is, credit must be given to Scorsese, Winter and editor Thelma Schoonmaker for the brilliant pacing. Armed with an amazing gift of gab in sales, a staggeringly stupid but loyal inner circle, and a monstrously illegal strategy that allows him to earn huge commissions on bullshit stocks, the financial wizard nicknamed “Wolfie” makes millions upon millions during his heyday in the 90s, leading to a life of absurd excess. In The Wolf of Wall Street he recognized a story of insanity, lewdness, depravity, ridiculousness, greed and incredible entertainment value, and that’s exactly what he has brought to the screen.Īdapted by Terrence Winter from Belfort’s memoirs, The Wolf of Wall Street charts Jordan’s rise from being a 22-year-old newbie on Wall Street to one of the most powerful individuals in the American economy. Because of the protagonist's truly terrible personality, if the movie made any kind of effort to get the audience to sympathize with the lead it would have gone down in flames, but Scorsese is too smart a filmmaker for that.
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He protects his conscience with proclamations about the American Dream and ideals of being the Robin Hood of Wall Street – only swindling the top 1% - but the truth is that he is as money and power hungry as they come. Truth be told, Jordan Belfort is an asshole.